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Notes from a Crusty Seeker

MOONWALK ONE: a Visionary’s Film about Leaving Mother Earth — 40 Years Later






Theo Kamecke lives alone in and on five acres of breathtaking art in the Catskill Mountains. The man simply must create art — whether it’s a garden, a home furnished with handmade everything, a meal for guests, or a log bench overlooking a roaring, foaming brook so powerful that it could sweep you to your death in a nanosecond.





In his barn-size studio, Theo makes sculptures, wall pieces, and functional art objects from the collection of electronic circuit boards he began accumulating forty years ago for no reason other than he thought they were beautiful. With patterns that look like hieroglyphs and names like Nefertiti and Isis and Manifest Destiny, his child-size treasure chests and majestic pyramids, cabinets and jukeboxes, tables and wall plaques feel simultaneously ancient, familiar, and futuristic (see TheoKamecke.com). “I like to understand how things work,” he says, to explain what drives him.  Read More 

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A Time of Innocence … Walter Cronkite ... and Technology

Photo by Albert Dorr; © Terry Dorr

 

 

May 1959. The Barbie doll had just debuted; so had Sleeping Beauty; and Alaska had become our forty-ninth state. People left their doors unlocked; nobody's parents had gotten divorced yet; and every evening Walter Cronkite delivered news that I and the other eight-year-olds in this photo didn't understand, but we knew from the sound of his voice that all was well and nobody murdered Presidents because grown-ups were good and knew everything.

 

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The Pleasure of a Good Upset

I’m upset (that’s a lie, but it’s a good opening line). I’m not really upset, but if I were upset, I’d be upset that it’s blog time and I have absolutely nothing to say. Ergo, here is an old column I wrote several years ago for UPI. It’s a piece that seemed to either help or annoy an awful lot of people. Read at your own risk. Read More 
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Inspiration Stew: The Recipe

There is a new trend in business. It’s a sometimes-desperate scramble to pinpoint the latest trends in order to be on the forefront, the cutting edge, the winning team … in order to make lots and lots of money. But there may be a problem with this. There may be a problem because what appears to be one of the newest and most widespread trends (harnessed with awe-inspiring efficiency by the Obama campaign) is for individuals and small groups of passionate people to do good deeds with no concern for financial returns.

“We set up tables with cookies and candy in the park and give out Smile cards,” explained Shephali Patel, a 30-year-old volunteer with the Smile Card project. She is one of 20,000 volunteers who have been playing a form of global altruistic tag: You do a selfless “Radical Act of Kindness,” then leave a card encouraging the recipient to do something nice for someone else and pass the card along.

And this was just one of the examples of easy-to-do selfless service actions discussed at last night’s second meeting of an organization called Stay Inspired (see March 30th blog) held at Gallery 138 in New York City, where about 40 people gathered to eat good food and share ideas about how to remain inspired during hard times. Read More 
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A Sublime Evening in Central Park

“Hallelujah!” shouted a man after the first movement of J.S. Bach’s Violin Concerto No. 2 in E Major, played with simultaneous passion and heartbreaking sweetness by Lara St. John.

Hundreds of us felt the same as we listened, spellbound, to the first of this season’s free concerts at the Naumburg Bandshell, arguably the heart center of New York City’s Central Park. As dusk gave way to night, the violins soared and so did two ducks, taking in the concert from their bird’s eye view. The audience swayed, breathing in Linden tree perfume as sweet as 104 years of truly free music — the gift of a haberdasher turned banker named Elkan Naumburg who began financing the concerts in 1905, and, in 1923, created the present-day bandshell with its perfect, unamplified acoustics.

I arrived at the bandshell with my little dog, Maya, at about 7:20. The concert began at 7:30. There was no admission charge, no line to pass through. There was nobody who said, “You can’t bring a dog to this concert.” The bandshell is a place where all beings are free to assemble. I took a chair. Maya took another. People smiled at us. There were free programs and even free CDs for children at intermission. The musicians, too, were free. They played with relaxed arms, standing and swaying like one body in the cool breeze. Maya laid her head on the leg of the man beside her, and without looking at her, he submitted to her love.

As night fell, flutist Andrea Griminelli explained to the audience that Bach’s Orchestral Suite No. 2 in B Minor was very long, so it might be best if we held our applause until the last movement … and then he demonstrated our cue.

The final piece was sublime — The Knights orchestra along with virtuoso siblings Lara and Scott St. John playing Bach’s Concerto for 2 Violins, Strings and Continuo in D Minor — closing the first evening of the oldest continuous free outdoor concert series in the United States.

And to think that all this might have been destroyed. The story of the bandshell’s survival is the story of a seven-year David and Goliath battle. In 1993, Christopher London, the great-grandson of Elkan Naumburg, took on the Central Park Conservancy and the New York City Parks Department, foiling their attempts to demolish the bandshell. The agencies’ reasons for the destruction were many and ran from the bizarre (unamplified music was outmoded) to the more bizarre (an antipathy to freedom of assembly; no good could come from just anybody — even homeless people — sitting down to enjoy music).

Last night, hundreds of us not only sat down, but we did so amiably with only the trees and the cityscape against the moonlit heavens as housing. And after the concert, hundreds of us rose en masse, still savoring the music, and strolled home peacefully. This is freedom. Now why is that so scary?

The next concerts will take place Tuesdays, July 7, 21, and August 4. For more information, go to NaumburgConcerts.org. Read More 
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Thoughts on Tomatoes, Lousy Posture, and the Alexander Technique

It’s another soggy day in New York City, so it seems appropriate to talk about my posture. I have lousy posture. I slump with my chin out and up like a turtle and, since I’m very flexible, I have a tendency to sit with pretzel legs. I also have a big, ugly lump on the back of my neck which has alternately been explained as a sign that my spiritual center is connected or that I have an energy block. I believe it’s due to my lousy posture.

Because it is raining today and I’m having such a difficult time remembering to sit upright, it seems appropriate to also complain about my allergies. I recently discovered that I am allergic to my tomato plants. Not the tomatoes, but the Deadly Nightshade leaves that smell so good but make my eyelids swell like over-sized shrimp. My tomato plants live on my neighbor, Nurse Mia’s, terrace because my building superintendent kicked them off our roof. Nurse Mia is the one who diagnosed my tomato plant allergy, so the last time I pruned, I suited up with swimming goggles, a surgical mask, and latex gloves. Read More 
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Socialized Medicine, Compassion, and Life — Oh No!

Last night I watched Sicko, Michael Moore’s documentary about our health-care system. A guy at the grassroots Health Care Organizing Kickoff meeting last weekend referenced it a few times, and since I missed it when it was in theaters, I got it at the New York Public Library. This required asking for it, receiving an email when it arrived at my local branch, strolling over, showing my library card, and walking out without paying any money. This is because the public library is a government-funded social program, allowing even unemployed people like me access to free information. It seems to work awfully well.

A block up from my library is my local fire department. They are a government-funded social program that seems to work awfully well.

Last weekend, a guy on my block had a very loud party late at night. I dialed 311 and a courteous government-paid employee took my noise complaint and dispatched a member of our socialized law enforcement department to quell the din. It worked awfully well.

I’d thought Sicko was going to be a diatribe about our lousy heath-care-if-you-can-afford-it system, and I was quite surprised to see that the majority of the film showed compassionate doctors and satisfied patients in France and the UK and Canada. When asked how much money care cost, they either laughed or looked befuddled and then responded, with polite horror, that they wouldn’t want to work or live in a system that allowed people to die if they couldn’t afford to pay.

Although it seems like yesterday, many years ago my beloved hometown switched from subway tokens to Metrocards. Lots of New Yorkers said that the change was too big; it wouldn’t work. We survived it quite well. Read More 
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American Idol and Our Shame of Being Human

 

I didn’t watch American Idol this season, so I didn’t understand my friend’s feelings when she first emailed and then phoned about her despair that a young singer named Adam Lambert hadn’t won the competition. She described the moment when the public declared another singer (Kris Allen) the winner as “being hit by a wrecking ball.” She understood neither her despair nor her compulsion to listen to an online recording of Lambert singing “Come to Me, Bend to Me” from Brigadoon (Alan Jay Lerner and Frederick Loewe).

My friend is a mature woman — a sixty-year-old psychologist, to be precise. She is not a person who normally cares about pop singing competitions or even watches them. But something had compelled her to turn on American Idol, and when she heard the voice of Adam Lambert, she was transformed.

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The Unbearable Sweetness of Being Human

I’ve been kind of blue this week. Actually, that’s inaccurate. I’ve been red — beet red with eyelids that look like obese shellfish — but blue is more descriptive of my mood. A red mood sounds angry. I haven’t felt angry. I just enjoy vision. Apparently swelling up like a prizefighter after a really bad night plus a nasty rash is my new reaction to tree pollen. Although I could barely open my eyes, I decided it was a good time for reading, and my friend Liz from the greenhouse had recommended Alexander McCall Smith’s The No. 1 Ladies’ Detective Agency. Read More 
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Cartwheels in a Sari: A Memoir of Growing Up Cult by Jayanti Tamm — review & interview

In this time of risk-taking based on promises of exorbitant returns from precarious investments, what could be more timely than the tale of growing up in a community where everybody has surrendered all decision-making and self-responsibility for the promise of divine protection and maybe God realization?

In her riveting, sometimes heartbreaking, often hilarious memoir, Cartwheels in a Sari (Harmony Books, April 14, 2009), Jayanti Tamm recounts how her parents, like so many people who came of age in the sixties and seventies, met a guru after years of spiritual seeking. So moved were they by the experience that they didn’t question his direction to marry each other — despite the fact that they’d just met. They did, however, flaunt the directive to remain celibate.  Read More 

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Rx for Unemployment Blues: Seeking Peace by Mary Pipher

It may seem paradoxical that reading about panic attacks due to overwhelming professional success and an abundance of work is calming to a person who’s been unemployed for months and battered by the recession, but that was my experience reading Mary Pipher’s new book Seeking Peace: Chronicles of the Worst Buddhist in the World. It may seem counterintuitive that reading about a big, warm circle of supportive family could make a person whose family is mostly dead feel hugged, but, again, that is the case with this simultaneously comforting and entertaining book about a bestselling writer’s meltdown and recovery. Read More 
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Staying Inspired

Last Wednesday night, storyteller extraordinaire Laura Simms described the moment during an international phone call when she made the split second decision to adopt her son, Ishmael Beah, a former child soldier in Sierra Leone who would go on to become a bestselling writer and an advocate for children trapped in wars. “If I can get out of here, can I live with you?” he asked. “The phone may cut off and I need you to tell me the truth.” “Yes,” she screamed. “Yes!” and the phone went dead.

She described that moment as one of electrocution — the instant and complete realignment of every cell in her body. It was a moment when Spirit demanded something sudden and life-changing — what the oracle Viking Runes refer to as “an empty-handed leap into the void” — and she said, “Yes!”

She told the story at a “Friend Raising Party” at Tibet House in New York City given by a two-year old organization called Stay Inspired, the brainchild of a very unusual guy named Charlie Hess. Read More 
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The Yoga of Beautiful Jewelry

The first thing I notice about the woman crossing the hill to me in Central Park is color. Sizzling grey-blue jacket, violet scarf, purple something else topped by a mane of chestnut hair shining golden in the sunlight, penetrating green eyes flecked with something that stops you dead and demands attention. Her colors are so radiant that it isn’t until we are face to face that I realize I know her.

Mikelle Terson was my aerobics teacher about 20 years ago. I remember the colors even then: after an hour of sweating, she led a cool-down visualization of kaleidoscopic golden light, wafts of green, and cool blue pools of peace. Read More 
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Tierney Sutton’s DESIRE

Teachers of self-actualization often use an exercise where you stare into another person’s eyes for a long time. If you’re not used to it, your eyeballs can go spastic. If you’re practiced at the exercise, all kinds of things can happen: Sometimes the person in front of you morphs. Their face literally changes so that it becomes like watching a special effects movie.

Listening to jazz singer Tierney Sutton’s new CD, Desire, is something like this.  Read More 
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A Bedtime Story for the Recession


I was born and I’m still alive.

That’s the short version. The longer version that I tell myself when I’m lying in bed wide awake at 2 a.m. thinking about never finding another job, or finding one that I hate and feeling stuck, or dying penniless and who will take care of my dog, or winning the lottery and — oh my God — how will I set up a foundation and how much do I realistically need to live and what if I’m so besieged by desperate people I give it all away, and then I’m without funds again?!? When I’m lying there worrying about all that, I tell the long version of the story:

I was born. I grew up. I went from one job and career to the next. I went through hard times and was really afraid, but eventually I landed somewhere that was better than where I started. And by the time I get through my whole resumé and history, I fall asleep from boredom.

I little while ago, I interviewed the author/psychologist/radio talk show host Daniel Gottlieb for a magazine article. (By the way, his newest book, Learning from the Heart: Lessons on Living, Loving, and Listening, just won the prestigious Books for a Better Life Award for the best self-improvement title in the Motivational category.)

One of things I love most about Dan is his business card. In the place where you put your profession, his card says “Human Being.” He’s earned the title. Since a catastrophic car accident in 1979, he has been a quadriplegic with limited use of his arms and hands, and his humanity has been tested. It’s not that he’s perfect — far from it, he told me. But he has a basic faith in his — and everybody’s — ability to survive just about anything.

“We get used to stuff,” he told me. “All of us do. And underpinning that is faith: When I sit across from a patient, I have faith in the human spirit that they’ll heal. Whatever form it takes, they’ll heal. I can sit with fear because I have faith — not in some external, divine power, but faith that I can bear fear. And I can bear sadness. And I can bear despair. I know I can because I have, over and over and over again. And you have, over and over and over again. And everybody has, but we don’t notice that we get through it.” Read More 
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