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Notes from a Crusty Seeker

Be the One!

The Escape Artist : The Man Who Broke Out of Auschwitz to Warn the World (Harper Collins, October 2022) by Jonathan Freeland

From out of nowhere" a sound happens. "Someone sings a pitch" and "once someone starts, everyone wants to be a part of it." The sound of the national anthem resonates and "It's completely organic."

 

"We are not a nation of soloists, but a chorus of shared values that when joined together resonate like nothing the world has ever heard," says Steve Hartman in his conclusion to this feel-good story about students who "spontaneously" erupt in an elegiac rendition of the national anthem . . . and become part of a tradition of young people who do this every year in this Kentucky hotel.

 

 

 

 

 

I would agree, with a caveat: somebody starts the hum. One person decides to be first, and then others join.

 

I just finished reading an astounding, devastating, inspiring story of the first Jew to escape Auschwitz—a teenager who was driven to action in order to spread the truth of the industrial murder of babies, old people, men, women and children who had the misfortune by their ethnic heritage to be deemed less than human and a scourge to Aryan society.

 

The Escape Artist: The Man Who Broke Out of Auschwitz to Warn the World (Harper Collins, October 2022) by Jonathan Freeland reads like a page-turning novel, at times so brutal that you feel it viscerally. Its subject, Walter Rosenberg, was sixteen years old when he was captured and deported, and his unlikely survival in Auschwitz was due to two qualities: his conviction that if people knew that the Nazis' lies about this being a mere resettlement of people were a public relations act to conceal mass murder, torture, and cruelty as a sport, they would do something; and his paranoid personality that kept him skeptical and therefore safe from rookie mistakes.

 

Rosenberg and another inmate, Fred Wetzler, do the impossible by careful observation and calculation: where others see only that the Nazis are an efficient machine guarding the prison on two concentric fronts, Rosenberg and Wetzler, students of observation, realize that it is the Nazis' predictable actions that produce a loophole for escape. (Read the book to learn what this is.) Rosenberg learns from others in the camp the basics of what not to do. (Again, read the book.) He is meticulous and patient, but also desperate because he is privy to the Nazi plan to shortly deport hundreds of thousands of Hungarian Jews. Rosenberg and Wetzler want to get the news to them so they will rise up en masse and refuse to board the deportation trains. Read More 

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A Short Film for Dog Lovers

Happy New Year!

 

Thirty-one years ago, with the help of editor/filmmaker Steve Clarendon,  my dog, Daisy, and my actor friend Shelley Wyant, I made this little film short that I had written to the score of Vivaldi's The Four Seasons. Long before digital technology, adding music from an LP became too cumbersome to attempt, so the VHS of the rough cut languished in a dusty bag on my top book shelf.

 

Recently, I had the video digitized and finally finished it with the help of Vivaldi, royalty free courtesy of John Harrison with the Wichita State University Chamber Players.

 

(Please excuse the frame counter; there is no way to eliminate it easily and cheaply.)

 

I hope you enjoy this love letter to New York City, seasons in Central Park, human and canine oddities, and angels in dog suits everywhere.

 

 

 

Vivaldi recording, by John Harrison with the Wichita State University Chamber Players, is royalty free.

License: https://creativecommons.org/licenses/by-sa/3.0/

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