

I didn’t watch American Idol this season, so I didn’t understand my friend’s feelings when she first emailed and then phoned about her despair that a young singer named Adam Lambert hadn’t won the competition. She described the moment when the public declared another singer (Kris Allen) the winner as “being hit by a wrecking ball.” She understood neither her despair nor her compulsion to listen to an online recording of Lambert singing “Come to Me, Bend to Me” from Brigadoon (Alan Jay Lerner and Frederick Loewe).
My friend is a mature woman — a sixty-year-old psychologist, to be precise. She is not a person who normally cares about pop singing competitions or even watches them. But something had compelled her to turn on American Idol, and when she heard the voice of Adam Lambert, she was transformed.
In this time of risk-taking based on promises of exorbitant returns from precarious investments, what could be more timely than the tale of growing up in a community where everybody has surrendered all decision-making and self-responsibility for the promise of divine protection and maybe God realization?
In her riveting, sometimes heartbreaking, often hilarious memoir, Cartwheels in a Sari (Harmony Books, April 14, 2009), Jayanti Tamm recounts how her parents, like so many people who came of age in the sixties and seventies, met a guru after years of spiritual seeking. So moved were they by the experience that they didn’t question his direction to marry each other — despite the fact that they’d just met. They did, however, flaunt the directive to remain celibate. Read More
Ring the bells that still can ring,
Forget your perfect offering.
There is a crack, a crack in everything—
That’s how the light gets in …
Leonard Cohen, “Anthem” Read More