I first encountered Gil Hedley many years ago in what felt to me at the time like a murky soup of people. When he spoke, the murk gave way to clarity and the sun seemed to shine, even though we were indoors with no windows.
Gil Hedley is a poet anatomist. He teaches all kinds of people about the body through his Integral Anatomy human dissection workshops, his DVDs, and now through his gorgeous new book of free verse, Coming Into Form. From the cover art (“Self-Knitter,” sculpted by Lauren Rose Buchness) of a little person knitting her own skin, to the words that feel sometimes like Rumi–2011 and sometimes like ocean waves and sometimes like nothing you have ever heard quite this way before, the book is a gem.
This is the kind of book you never shelve because you want to have constant access. No matter what kind of mood you’re in, there is something in it that can catalyze growth, nudging you to inhabit your own form just a little more, just a little more joyfully. Read More
I think I was inadvertently and divinely prepped before seeing the Off-Broadway play Blood from a Stone by Tommy Nohilly last night. For the last few weeks I’ve been editing some stunning books about life and death, anger and forgiveness, and compassion. I’ve also been speeding down a runway to a “big” birthday—eliciting my keen awareness of how fleeting our time is and how I don’t want to squander it feeling lousy. And I’ve been inexplicably waking at 3 a.m., getting up, and spontaneously meditating. I recommend all of these preparations before seeing Blood from a Stone. Or none.
I have an ambiguous relationship with the language police. On one hand, I appreciate that discouraging the use of belittling, offensive, or just plain inaccurate language can move our culture toward inclusiveness and respect. I lived through the days of being called a “my girl” when what my boss meant was that I typed for him, and even before anybody thought there was something wrong with that, it used to make my skin crawl. But I used the phrase myself when writing about that period in my novel, 
I dislike buying bras so I do it only when I must — about once a decade I buy a bunch and wear them until they stretch out. Well, bra day is here, and I decide to go to J.C. Penney because I hope it will be cheaper than where I usually go and it's en route from where I'm working.
I came to the TV series Mad Men late. Although I'd heard about it from friends, it wasn't until a few months ago that I began borrowing the first three seasons from the library. I thought I'd be interested in it because of my background in advertising. My father was an account executive, my mother was one of the first female copywriters, and briefly toward the end of the seventies, I entered the family trade as a secretary and production assistant (material I put to good use in my novel 
I’ve just finished reading The Holy Woman, the self-published third book of Susan Trott’s formerly commercially published “The Holy Man” trilogy. Like the first two books (The Holy Man and The Holy Man’s Journey), The Holy Woman is deceptively simple and charming. But what a complex story about our human drive to “get,” to achieve status or stuff, to win.
Recently I’ve been experiencing a dilemma about how to react in many areas of my life, which tells me I should pay attention. 
For a person who’s not really into acquiring things, I’m amazed at how much stuff I have: a whole wall of books, three file cabinets of manuscripts, and then there’s the music — the tapes and CDs, not to mention my collection of 33 1/3 records that take up two feet of floor in my bedroom and simply cannot be discarded.