It seems ridiculous that somebody would go to the trouble of creating art and then create work that is designed to please or be current or imitate somebody else who’s popular, but it happens all the time. That’s why gallery hopping with my artist friend, Ardith, is like finding treasure at the end of the rainbow.
We begin at the end of Manhattan’s West Side — 547 West 27th Street, a pretty rough part of Chelsea that is in the process of gentrification. As usual, the art community is already there amidst the blasting, construction, and street mess. But up one flight in the Ceres Gallery, a cooperative supported by and supporting female artists, there is a whole other world. We’ve come after seeing this fractured face in a story about sculptor Cynthia Eardley (Art Knowledge).
I don’t speak “artspeak” (you can click on the links for that), so suffice it to say, I take one look at Eardley’s fractured but exquisitely beautiful sculptures and I feel something deep — what, I suspect a whole lot of people are feeling these days — broken, but hanging together as best we can.
I suspect everybody feels some aspect of what Eardley communicates in her hand-modeled, resin-cast portraits. She tenderly displays everything we try so hard to hide — with clothes, manners, and civilized behavior. But the word “suspect” is a lie; I “know.” I know we all feel these things because I have spent so much time in so many places where large groups of ordinary people come to find out who they really are. And, in my experience, when people tell the truth, it turns out we are all equally fractured. Read More
We begin at the end of Manhattan’s West Side — 547 West 27th Street, a pretty rough part of Chelsea that is in the process of gentrification. As usual, the art community is already there amidst the blasting, construction, and street mess. But up one flight in the Ceres Gallery, a cooperative supported by and supporting female artists, there is a whole other world. We’ve come after seeing this fractured face in a story about sculptor Cynthia Eardley (Art Knowledge).I don’t speak “artspeak” (you can click on the links for that), so suffice it to say, I take one look at Eardley’s fractured but exquisitely beautiful sculptures and I feel something deep — what, I suspect a whole lot of people are feeling these days — broken, but hanging together as best we can.
I suspect everybody feels some aspect of what Eardley communicates in her hand-modeled, resin-cast portraits. She tenderly displays everything we try so hard to hide — with clothes, manners, and civilized behavior. But the word “suspect” is a lie; I “know.” I know we all feel these things because I have spent so much time in so many places where large groups of ordinary people come to find out who they really are. And, in my experience, when people tell the truth, it turns out we are all equally fractured. Read More
I first heard Krishna Das, a kirtan (yoga chanting) leader, in early 2001 when he sang in a scene in the documentary 
I’ve got a cold. The world’s worst cold, to be precise. I’m hacking, spitting, and I feel as if I’m ten feet under water. What better time to read a book about consciousness? My brain is already exploding. My thoughts and ideas bore me to tears, so dropping them and saying to myself, “What if this is true?” has been a relief.
There is not one throwaway second in A Single Man, the debut film of director Tom Ford, a fashion designer who had to finance his vision himself. Based on the novel by Christopher Isherwood, the movie is the opposite of throwaway fluff, and actor Colon Firth, the main subject of the camera’s lingering lens, deserves every second of scrutiny. 
Acoustic guitar player and singer Eric Bibb is another artist who is not afraid to take his time. After “meeting” and playing Delta blues legend Booker White’s steel-bodied guitar, he was inspired to write a song that became an entire album, 
About 12 years ago, I discovered 
“So how do you know the difference between going with the flow and letting yourself drown?” writes author 
“Hallelujah!” shouted a man after the first movement of J.S. Bach’s Violin Concerto No. 2 in E Major, played with simultaneous passion and heartbreaking sweetness by Lara St. John.
Because it is raining today and I’m having such a difficult time remembering to sit upright, it seems appropriate to also complain about my allergies. I recently discovered that I am allergic to my tomato plants. 
Not the tomatoes, but the Deadly Nightshade leaves that smell so good but make my eyelids swell like over-sized shrimp. My tomato plants live on my neighbor, Nurse Mia’s, terrace because my building superintendent kicked them off our roof. Nurse Mia is the one who diagnosed my tomato plant allergy, so the last time I pruned, I suited up with swimming goggles, a surgical mask, and latex gloves. 
Last night I watched Sicko, Michael Moore’s documentary about our health-care system. A guy at the grassroots 
I’m living on unemployment at the moment, so I’m consuming a lot less than I used to. And that means I think a whole lot about what I’m choosing to consume. Below, for my own gratitude and ventilation, are some Rants & Raves. Feel free to add your own in comments:
I’ve been kind of blue this week. Actually, that’s inaccurate. I’ve been red — beet red with eyelids that look like obese shellfish — but blue is more descriptive of my mood. A red mood sounds angry. I haven’t felt angry. I just enjoy vision. Apparently swelling up like a prizefighter after a really bad night plus a nasty rash is my new reaction to tree pollen. Although I could barely open my eyes, I decided it was a good time for reading, and my friend Liz from the greenhouse had recommended Alexander McCall Smith’s The No. 1 Ladies’ Detective Agency.